Here
she is! She's just recovering from her Uk Tour, back
from another tour with the masters Uriah Heep, she's
been playing in the most famous clubs in L.A. with artists
like Motorhead, Danzing and lots more. She's nice and
available, a real rocker enjoying the benefits of a
deserved success. Here is with us Emily from Fireball
Ministry ready to tell us her experience in this inconceivable
and difficult music show business.
Hi Emily you are
the guitarist and one of the two original members of
Fireball Ministry aren't you? Can you tell us something
about the birth and creation of the band?
James and I first started the band in '98. We thought
we should start writing songs together and the first
one we wrote was "The Man" from our first
record. We thought we had something cool so we named
the band Fireball Ministry and it took off from there.
We didn't actually play a live show until after our
first record, "Ou Est La Rock?" was recorded
for Bong Load Records.
Why some time ago
did you take the decision to move from New York to Los
Angeles? Something wrong in the Big Apple?
At that time, there wasn't much of a rock scene happening
in New York City. It has since gotten better. But it's
also very difficult to find rehearsal space and play
shows in the city, just the logistics of getting your
equipment to the show is a nightmare. Since the homebase
of the music industry is Los Angeles, we thought it
would be the right place for us.
The fist label you
worked with was Bong Load Records but the last album
was recorded with Nuclear Blast. How did you get the
deal with the last ones? Which are the main differences
you found in working for these two different labels?
Our first record was put out on Bong Load which was
a much smaller operation than Nuclear Blast. Indie labels
are indie labels so the problems are still the same,
but getting the deal with Nuclear Blast has allowed
us to make a video and tour more.
On your debut album
appeared a collaboration with Megadeth, which is your
relation with the band? Which other band would you like
to play with and why?
Nick Menza, the former drummer of Megadeth did a couple
of drum tracks on our first record. The Bong Load guys
were friends with him so that's how it happened. It
was pretty cool to watch him in action, he's a maniac.
And I'm a major Megadeth fan so it was a pretty awesome
experience.
Which are the main
differences between your last album and the previous
one?
The main difference is that now we're more of a band
rather than a sort of "project" and we have
more solid ideas of what we as a band sound like. It
was actually much easier to go in and record because
there were less variables.
Is that true you
recorded this last one in just two weeks? How was it
possible?
It really doesn't take long to record. We don't have
the time or money to sit around writing songs in the
studio, so everything is ready to go before we get in
there, with the exception sometimes of lyrics. John
O is extremely fast and it usually takes him about 2
days to get sounds and do an album's worth of drums.
We all try to track as efficiently as possible because
there're always little things that you want to tweak
at the end.
Your music is basically
hard rock, do you agree? Which peculiarities of your
band you would like to highlight?
I agree that we're hard rock. I like the fact that we
can actually play live because a lot of times you go
see bands who obviously used a little too much Protools
in the studio and sound like shit when they play out.
And we have a singer who can actually sing.
Do you think your
music is different from the common trend of today? We
are seeing a blast of little successful bands
but
just temporary successful, what do you think about the
rock scene nowadays?
I don't even know. I quit thinking about it because
there are so many facets and so many bands. Obviously
the music industry as a whole is completely in the shitter.
There's no money for anything and it's creating a draught
because good bands aren't given a chance to develop
at all and are tossed aside before they really get going.
We just play the music that we like and hopefully things
will work out for us.
And which are the
main differences between The States and Europe in your
own opinion?
There are pros and cons to both. The United States is
very big so it takes a long time to really get a following
going. You can't hit everywhere in 2 weeks like you
can in smaller countries. Europe seems to still like
metal in the classic sense which is great and I'm not
sure if there's so much of that right now in the U.S.A..
Would you like to
tell us something about your recent tour in Germany
supporting Uriah Heep?
Uriah Heep is so amazing, such a great band with great
players. I didn't know much about them before we did
the tour but they are a class act all the way.
What about Europe?
Do you think you will come back to tour here?
We just did a U.K. tour with CKY which was totally awesome.
We'll be doing festivals at the end of June/early July
in Germany. We would love to come to Italy.
Which are the band
you liked most playing with? You've been around with
several important bands as Motorhead and Danzig. Which
has been the best live show ever? And why?
I personally enjoy playing with Danzig because I am
a big fan, but the audience is usually pretty tough.
We played with Motorhead at the HOB in Los Angeles and
it was a really great show. We had a lot of good shows
on the CKY tour as well. The kids were really animated
so there was a lot of energy on both sides. A couple
of shows we had at the Troubadour here in LA are among
my favourites.
Amongst the women
crowding the musical scene, who are your favourites?
Elyse Steinman from Raging Slab is rad and I think the
guitar player from the Donnas, Donna R (Allison Robertson),
is really good. There are a lot of good bands with girl
members like Acid King, Gorilla, and Misdemeanor that
under the radar. I think Yael from My Ruin is a great
drummer. I'm not so into a lot of the lady singers that
are getting popular. A few of the bands they are calling
"metal" aren't very heavy to me.
How do you feel
to be a rock girl in a world dominated from strong,
naughty, tricky men?
It feels pretty good! Sometimes I get attitude, not
usually from guys in bands but from tour managers, crew,
club owners, promoters, etc.
Can tell us something
about your method to create?
In the beginning there was just James and myself and
we would just come up with riffs and demo songs ourselves.
Now one of us will come up with a riff and we'll all
work it out at practice. James writes the vocal lines
and the majority of the lyrics. I like to write lyrics
but they don't always fit with what he had in mind to
sing. He's the one who has to say them so he has to
feel comfortable with them.
I read once an interview
in which you said you really appreciated The Darkness.
They have had a huge blast last year with lots of live
shows and awards too. What do you think now about them?
I still like them. I still think their album was one
of the best of last year. Their next record is going
to determine whether they'll stay around or disappear
into obscurity. I know they've demanded a lot of money
for some festivals in the UK recently and I can't blame
them for trying to cash in with the industry being so
bad right now. It's a bummer that all the hipsters have
now caught on but you can't choose your fans.
Your fav five top
album of ever
Megadeth "Peace Sells
But Who's Buying?",
"Killing Is My Business"
And Business
is Good", Black Sabbath "Black Sabbath",
Danzig "Danzig I", Metallica "Master
of Puppets", Lynyrd Skynyrd "Second Helping".
Here are some others that almost made the cut: Nuclear
Assault "Survive", The Haunted "The Haunted
Made Me Do It", Slayer "South Of Heaven".
Best drink?
I like Miller Lite beer
Some band you would
like to suggest us and some other we could do without?
Suggest: Drunk Horse, Grand Magus, Grand Funk Railroad,
Mercyful Fate, Diamondhead, Puny Human, the Obsessed,
Fu Manchu, Dixie Witch, Honky
Avoid: Atreyu, Avenged Sevenfold, Simple Plan
Is there any question
you would like to be asked but nobody did yet?
Well, for sure it's fun to talk about bands and albums
I like so I'm glad you asked those questions. Sometimes
interviewers ask really general and generic questions
and you feel like you're saying the same thing over
and over in every interview- which is, of course, boring
for the reader as well.
Ok we've almost
finished. I thank for this interview
Would you
like to say something to the rock explosion readers?
Stay heavy and we'll see you as soon as humanly possible!
Intervista realizzata da Laura Delnevo
Supervisione di Margherita
Realmonte
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